Maybe when all is said and done, the reason you aren’t published is not the hours a night you spend watching television, the hours you spend clicking “like” on all the foodie pics your friends post on Facebook, the lateness of your emergence from your bedroom every morning. Yes, it’s possible that these acts are those of a wanna-be writer with no talent whatsoever. But, maybe these fruitless activities are a sign that, even though you have the talent, you simply don’t take yourself seriously.
And what’s really amazing (because it happens so much) are all those people out there with LESS talent than you who work a LOT harder than you because they actually think they have a LOT of talent and that the whole world ought to know about it! They push their way into every opportunity, they MAKE opportunities for themselves. With full confidence, with trumpets blaring, they cry: “LOOK AT ME!!” And you know what? They sometimes do pretty well for themselves, while you (talented and insecure you) say things like: “I’m not good enough,” or “Who would want to read what I wrote?”
Well, my friend, last time I checked, there are 7.6 BILLION people in this world, so guess what? There is SOMEONE out there who would LOVE to read what you write! More than just a “someone”–many “someones”.
And I’ll tell you something else: your fear, your thought that “no one would want to read what I write,” comes from a fear of criticism. No one gets anywhere worrying about criticism of their work. If criticism scares you–and it scares the hell out of me, quite honestly, and most people I know–then you have to put it aside and go BIG, go for THE GUSTO…or you gotta go home.
Don’t go home.
THERE WILL ALWAYS BE CRITICS
There will always be someone who writes a useless critique of your work on Amazon–someone without the courage and/or the talent to write a novel-length manuscript as you have done, but who has the “talent” to make other people feel bad about themselves. Useless critiques might look like this: “I red this book an it sucked!” Other critiques might be more useful: “I didn’t feel connected to the characters.” The latter critique could indicate something you can work on in your next novel, or perhaps the critique indicates the reviewer’s particular issue with the work. If your pre-publication readers were an honest bunch and offered a lot of helpful feedback (which you heard, without throwing up defenses, and acted upon), it might just be the reviewer’s particular issue. Be honest with yourself, but also know that every critique is not worth ruining your day over, and that you cannot expect EVERYONE to like your writing. Remember? Over SEVEN BILLION people in the world. At least a couple of them won’t like you work. At least a couple.
YOU CAN’T ALWAYS GET WHAT YOU WANT
Then there are the people who will love your book, but they won’t say so. Frustrating? You bet. In my own life, I received phone calls, letters, Facebook private messages, and, even years later, people approached me with compliments over my first published book for middle readers (THE FILIGREE SLIPPERS), and who were thrilled while reading my second novel (COLD AS WINTER WOODS), which I wrote for adults. But you won’t see all those people taking the time to give me stars on Amazon. Even with me suggesting they do so. Even with me trying hard not to sound like I was begging them to do so. They were not “bad” people, they were just people: reading novels they enjoyed and then going on to the next one without a backward glance. Does that mean I should not be preparing for the publication of my next novel? No. And you should be moving forward too.
BACK TO THE CRITICS
Some critics you will know personally. Those might be the scariest for you, actually. Those are the people who have never liked the thought of you succeeding at anything, those who have never tried for anything special in their own lives and hate the thought of you having anything special in yours. It’s also common for writers to actually be nervous about how their NON-reading social circle (whether it be family, friends, co-workers) will respond to their book. Why? Will the non-readers ferret out every place you could have used a better word, or will they disapprove of the genre into which your novel falls? Remember, they don’t READ, so, you know, who cares? You think your favorite authors weren’t afraid their family and friends might HATE their newest novel? Really?? Well, they published anyway.
JUST DON’T FALL UNDER THE SPELL
There are reasons not to write a story, and there are reasons to wait to tell a story. Frank McCourt wrote ANGELA’S ASHES long before he would submit the manuscript to an agent in the hopes of publication. He wrote about an impoverished childhood in Ireland, what his mother had to do in order to feed her children. Had McCourt found a publisher for the novel before his mother died, she would have been deeply ashamed by his revealing what she was forced to do, things over which she had no control. But, if you are not in the position where you must wait to tell your story, then, my writing friend, write, write, write. Engage the help of a good editor when you feel you’ve done your best with your project–another set of eyes, professional eyes, assessing your work, catch the mistakes you miss after spending so many hours at it. Submit your work to agents or figure out how to self-publish. Give it your all and don’t fall under the spell of critics.
Even if the critic is YOU.
written and posted by Jean Foster Akin